![]() When he takes a moment to portray a fisherman who tells of seeing the serpent acknowledge the fishing boat and its occupants before swimming away, we have a glimpse of the wonder that shapes the determined individuals who make their living in a town so reliant on the power of nature. The best moment is delivered by Melendy, who morphs into a series of characters who’ve seen the serpent. We are teased throughout the proceedings by one performer’s superstition that by telling the story they will incur the wrath of the monster, but after all that buildup, the story provides little excitement or even a coherent plotline. Most disappointing is the tale of Cassie, the Gloucester Sea Serpent, a legend that fits perfectly in a town that has lived and died by its relationship with the sea. Tales of the “outcasts” - women labeled “witches,” formerly enslaved people, cross-dressers, and others - could have explored the compassion and cruelty that exist cheek by jowl, but instead we get brief snapshots of several people that feel more like encyclopedia entries than stories. Some of the tales with the most potential revolve around “Dogtown,” a once vibrant neighborhood abandoned for a settlement closer to the harbor. The most theatrical effect is Ryan Natcharian’s array of shadow puppets, which are cleverly coordinated across three upstage screens with the movement of the performers.Īlthough the script tells us several times that “the only way to get to the truth is to examine it closely,” Minigan never digs deeper than the surface, relying on a litany of dates and names, glossing over human struggles and sorrow. Note: When you embed the widget in your site, it will match your site's styles (CSS).The result is a mishmash of sometimes humorous, never scary, rarely poignant tall tales that seem designed for an outdoor fair rather than a tavern. 22.Intro3.Little Work4.Live Do Better7.New Kid11.Staring at the Sun12.What I Love, Will Kill MeOnCue Lyrics provided by Get the embed code OnCue - Leftovers 2 (Mixtape) Album Lyrics1.Anything Real Pt. Til I'm Richard Branson with a pilot to flying me to my own island I ain't been hiding, I've been grinding, money stacked, piling Meat district bitches high off that John Stockton Take pipe, safe flight gotta leave that soon Love it when the titties swang, I'mma make her Chiddy Bang Tell all your girlfriends, you'll be back soon Yea yea, yea yeaYo yea yea yea-o yo yo Yo ya, yea yo, yea yo You say its my fucked up tooth I say its my fucked up youth Little boy in his home stuck in a cocoon Writing raps before his head go boom Ran away from the drug abuse No duck, duck, goose O lord who cut. Put it on the telecom me and you fucking in Thats the bomb all their stocks are plummeting Upper echelon, and they wonder who snuck us in ![]() I can smell the hate on top of my upper lip Now its cool to like Cue, ain't that such a switch ![]() ![]() The city's your church, I pray you're sinning You know what we doing, whiskey for communion tonightīaptize you in champagne yea its only right Made it in the nice way, thought I'd let you know Put it in the pretzel on top my testicles Yeah, and let it flow, I don't put the pussy on top of pedestals Order some drinks get under the influence No catches are standing calls in the new sense See your man lurking girl delete my texts Something tonight got her bagged by the eighth line Wait, I think its bad time for you to say it Give me my dues cause yall know. Ill be doing this til Im dead and the pills gone. On that fine evening, all that freak shit we did I love weed right, I aint try see that its some beer pong, I just want a real song got me feelin tall like Shaquille with some heels on. Legend in the making, you gonna reminisce You're not going to believe it when you see it I'm completely changing the configuration
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